All these guys were just my fathers friends, she says now. His father played trumpet, as did brother Charlie, while brother Clois played drums, and sister Norma played piano. A bulky, sadfaced man with a husky baritone voice, Mr. Teagarden was one of the few musicians whose work aroused enthusiasm among all the splinter groups in contemporary jazz. Trombone player Jack Teagarden, pictured in 1930, created a sensation in New York when he arrived from Texas. His tombstone reads simply, Where there is hatred, let me sow love, Courtesy of the Miami Herald, e-mail:[email protected] Fort Lauderdale civic activist Vernajean Atwell, stepdaughter of noted trombonist Jack Teagarden plays with her adopted dogs. He performed with Eddie Condon, Bix Beiderbecke, Paul Whiteman, Jimmy Dorsey, Tommy Dorsey, Bob Crosby, Eddie Lang, and many others. Eddie Shields, the circulation driver who writes songs, phoned the minute he read about Jack. There have been times when Teagarden didnt need a rhythm section. It keeps me busy explaining why I cant.. An insurance agent and former Doberman breeder for 30 years, Atwell now trains abused dogs. Instead, he played higher in the instruments range, using mostly the first and second positions, and rarely moving beyond fourth position. And Jack had another drink which he poured down pronto. He has a natural way with anything mechanical and spends a lot of time plying his tools in his home workshop. It is for that kind of lyric and melodic beauty that we should listen to Jack Teagarden, because such are the standards he has set for himself. Wednesday they found Jack in a New Orleans hotel room, cold and dead. The world was full of sitdown strikes and big depression and govern- ment alphabet soup. Drummer Cotton Bailey gave him the nickname Jack when he was 15 or 16 because Bailey didnt think Weldon was suitable to a musician, and it stuck. Jack Teagarden. It is difficult to realize that Teagarden is, after all, largely a self-taught musician. But the Whiteman group was not particularly musically inspired. I guess thats the only time.. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. The group traveled to Europe in the postwar achieving great success. Beginning on trombone at age seven, Teagarden was entirely self-taught. Its a rare day when he opens his trombone case and hauls out his horn without moving a book or two on electronics or some phase of mechanics out of the way first. The next year he went to New York on his own. After departing Armstrong, Teagarden was a head of a progressively working sextet through the entire remainder of his profession, playing Dixieland with such talented music artists as sibling Charlie, trumpeters Jimmy McPartland, Don Goldie, Potential Kaminsky, and (throughout a 1957 Western european tour) pianist Earl Hines. Mother Helen was a ragtime pianist. Teagarden, who was simply greatly adored by Tommy Dorsey, is a reasonable candidate for popularity in the golf swing period but he produced a strategic mistake. [2] In 1946, Teagarden joined Louis Armstrong's All Stars. Anyone can read what you share. In 1918, after his fathers death, the family moved to Chappell, Nebraska, where he and his mother again worked in the local theater. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. He left Armstrong and formed the Jack Teagarden All Stars Dixieland band in 1951. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920's territory and New York jazz scenes to shortly before his death in 1964. Jazz fans are noted for their fanatical devotion to one jazz movement to the exclusion of all others. Sorry! But the cymbalom chap did manage to pick the books he wanted to bind, and the first tome he put back into reading condition was a treatise on the sliphorn. Beginning on trombone at age seven, Teagarden was entirely self-taught. As a subscriber, you have 10 gift articles to give each month. By 1928 he played for the Ben Pollack band. admin Jack Teagarden Is Dead at 58; Jazz Trombonist and Vocalist; Some Critics Considered Him a Genius His Technique Was Largely SelfTaught, https://www.nytimes.com/1964/01/16/archives/jack-teagarden-is-dead-at-58-jazz-trombonist-and-vocalist-some.html. 1936. His father, an amateur comet player, worked in the oilfields, and his mother was a local piano instructor and church organist. Turned Pro as a Teen " You Couldn ' t Keep Jack Out of Harlem " Selected discography. He also started using Ponds Cold Cream and Pam Cooking lubricant on his trombone. In 1931, Teagardens early orchestra recorded the tune Chances Are with Fats Waller playing piano and Jack singing and playing trombone. Teagarden divorced and married his second wife, and this marriage lasted three years before he divorced and married his third, a hotel phone operator. "image": "https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/e0e7e2a4dbeb66bf0ce1964893bdd.jpg", Trombonist Jack Teagarden, right, records with Louis Armstrong, left, in 1948. He was just downing the dregs of it when the door of the dive opened and in burst a very cute little blond. Jack Teagarden played trombone with a relaxed style and a unique technique that still inspires awe even today. Known affectionately as Mr. TimesMachine is an exclusive benefit for home delivery and digital subscribers. All four Teagarden children became prominent musicians. He was 58, the wire story said, and he had run up a lot of mileage since the year he left Texas at 15. Teagarden, quite a ladies man, married the first of four wives, and wrote to her prophetically from the road: I have been drinking a terrible lot but I am going to quit.. Some sources claim his unusual style of trombone playing stemmed from the fact that he began playing before he was big enough to play in the farther positions. He was 58 years old and had reportedly been suffering from pneumonia. The ease with which Jack pumps out the smooth overall line of the chorus as well as the occasional disagreeing spurts of melody, is still a revelation in the art trombone playing. NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. But throughout his long career Jack has been anything but lazy. Atwell and her younger brother, Joe, have hired an attorney to try to claim the rights to, and royalties from, all the dozens and dozens of recordings of their father, plus recorded radio broadcasts and six films he made. He stole this from the WPA and presented it to me as a token of fealty and I took it backstage at the Palace and gave it to Jack Teagarden. His style was remarkable for its effortless flow of melodic ideas, technical poise, and the tender beauty of its overall effect. He played the last six weeks of the tour with a serious hernia, but refused to undergo surgery until the commitments had been filled and all his dates had been played. As he spoke about the elder Goldie, there was a genuine catch in his throat. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. Reset your passwordClick the eye to show your password. So the traditional trombone stylists specialized in playing simpler accompaniment parts featuring cute special effects like glissandos. Jack started on piano at age five (his mother Helen was a . We have been all over this silly town. You can help Wikipedia by expanding it. During the next 12 years Mr. Teagarden played with bands headed by Ben Pollack, Mal Hallet and Paul Whiteman. This has a practical effect on trombone playing: in the lower register of the instrument, there are fewer notes in any given position, and often only one position in which a note can be played. He had been playing baritone and trombone for nine years in his school band when at age 16 he walked into the club where Peck Kelley, the pianist, was rehearsing his band. Weldon Leo " Jack " Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. Teagardens style is also often described using words such as lyrical, vocal, legato, relaxed, fluent and smooth. James Infirmary (1947, with Louis Armstrong). It is well known, that he was rarely content to let his nights work end when the band trouped off the stand, but would always be ready for some after-hour sessions. Some critics considered him the best man ever on his instrument and one of the handful of jazz musicians, along with such men as Louis Armstrong and Duke Ellington, who deserved to be called geniuses. Both were deeply affected by a knowledge of and ease with the blues that was available to few white players of the time. In 1939, Jack port Teagarden was finally free of charge and he shortly put together a huge band that could last until 1946. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era Pee Wee Russell once called him "the best trombone player in the world". Mr. Teagarden toured the Far East for the State Department during the winter of 195859, and regarded the trip as a high point of his career. This is a Teagarden album like nothing else in his 40-year discography. Mr. Teagarden was christened Weldon John, but he was known to jazz fans as Jack or or Big Gate or Big T (to distinguish him from his brother, Charlie, a trumpeter, who was known as Little T). Leave a comment. Teagarden was buried in California. His widow, Addie, a pioneer woman aviator and big band manager, eventually moved from Broward to South Dade, and then back to Fort Lauderdale, where she lived with Atwell until she died penniless in 1997. Trombonist, singer. He had 14 side men in his band and the band fronted a stage show you could get in to see for 85 cents if you had 85 cents, which not many people did. I just pick up my horn and play what I feel., His singing was marked by an infectious Panhandle accenthe was born in Texasandby an individual manner of slurring his words. June 1934. Historians and critics widely agree: No one disputes Jack Teagardens place in the trombone pantheon(Morgenstern, 2004, p.292). Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Soundtrack: Reminiscence. Jack Teagarden. While shaking his head in amazement at the creative prowess of the trombonist, Williams also delineated some of the mans superb talent. Musician Barney Bigard once told her, You were the only person he could ever talk to., Bigard, from his book on Teagarden: He drank a lot, practically all the time in fact, but he always could play and never showed that liquor He was a quite man. RARE OLDIES SOUNDIES WITH MR JACK TEAGARDEN & HIS ALL STARS !!! Jack. Then in 47 when he joined Armstrong, Teagarden stepped up as top-ranking sideman, second only to the fabled Satchmoand more important able for the first time in his haphazard career to play the music that has made his name legendary in jazz annals. small band for the most of his career. The Scotch is the same in all these places., Jack sighed, You dont understand. Teagardens life story frames the history of the jazz movement in America, rising through the 20s and 30s, struggling through World War II, and nearly drowned out by the screaming birth of rock and roll in the 50s. Jack Teagarden Wiki: Salary, Married, Wedding, Spouse, Family Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone". He tried to avoid long road trips, mostly playing clubs in Miami Beach and Fort Lauderdale. Mamo, hewould sing, when the lyrics contained the word mama; fio, when they contained the word fire.. The siege of troubled yearsthe mid-thirties through the late fortiesTeagarden spent as an itinerant jazzman, reckless, unsettled, always on the lookout for a place to blow his horn. The tune is one that we all know well (which is a help, of course, and one that Teagarden assumes), and, for his part of the performance, Jack gets just the first half of the length of tune, right after Armstrongs vocal course. My Jack Teagarden Research at the IJS. Teagarden appeared in the movies Birth of the Blues (1941), The Glass Wall (1953), and Jazz on a Summers Day (1959). Required fields are marked *. Teagarden particularly made some noteworthy contributions while working at this time with Eddie Condon. Jacks brother, Charlie Teagarden, played trumpet off and on in Jacks bands and did freelance work for several well-known bandleaders, including Paul Whiteman, Jimmy and Tommy Dorsey, and Bob Crosby. Refusing to give up, he started a second band in early 1940, and this one he managed to keep going until late 1946, in spite of losing far too many good musicians to the draft. From 8:00 PM to 8:00 PM EDT. Please refer to the appropriate style manual or other sources if you have any questions. My cymbalom player was truly a fine artist but he did not protest his ignoble reduction to book binding. The placards urge patrons to write their con gressman protesting the tax which has hurt the means of livelihood of many musicians and entertainers. Jack began on piano at age group five (his mom Helen was a ragtime pianist), turned to baritone horn, and lastly used trombone when he was ten. The September 1921 flood that brought death . Out of this, its surmised, he drew his earliest feeling for the blues. recorded with his own small groups and played notably as a sideman with According to various biographies, as a boy he spent hours engrossed in the black spirituals sung at a neighborhood church, and his music would he greatly influenced by them. Teagardens style is also often described using words such as lyrical, vocal legato! 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